All That Jazz And More: The New York Pops Celebrate Kander and Ebb
By Ryan Leeds
There was more than enough razzle dazzle to blind Manhattan on Friday night as The New York Pops presented Life is a Cabaret: The Songs of Kander and Ebb. The always-stunning orchestra was joined by the equally fine talents of stage stars Tony Yazbeck and Caissie Levy. Yazbeck, who made his Broadway debut at the tender age of 11 in the 1989 revival of Gypsy, went on to star in the 2006 revival of A Chorus Line and the 2008 revival of Gypsy starring Patti LuPone. He received a Tony nomination for his role as Gabey in 2014 revival of On the Town.
Levy’s resume is also nothing to scoff at (nor is her astounding voice). The Canadian native has been seen on Broadway in Les Misérables, Ghost, Hair, and Wicked.
Near the beginning of the two-hour evening, conductor Steven Reineke mentioned that he had been wanting to do the concert for some time, but it seemed particularly appropriate to do it in March as composer John Kander turns 90 years old on March 18. Mr. Kander was in attendance, seated beside Tony-winning director Susan Stroman. The two worked together in 2010’s The Scottsboro Boys and by the end of the night, it was announced that they would be joining forces once again on a new musical called The Beast in the Jungle.
To whittle down the body of work that Kander and his collaborator, the late Fred Ebb created is a near impossible task, but Reineke did an excellent job of selecting many notable songs.
The Pops kicked off the night with a suite from Chicago. It included “All That Jazz,” “Me and My Baby,” and “Mr. Cellophane.” Since the 1996 revival, the show has become ingrained in American culture and is still entertaining audiences at the Ambassador Theatre as the longest-running American musical on Broadway. It is one thing to hear this score on the original cast recording. It is yet another to hear it played by the full, lush New York Pops. The night started on a high point and continued to climb into the stratosphere.
Levy, in one of her many Liza Minnelli moments during the show, took to the stage with “Sing Happy” from Flora, The Red Menace and struck a naughty spell with “Mein Herr,” from Cabaret. Levy, like Ms. Minnelli, proves herself a consummate performer, combining vocal finesse with the keen ability to act a song.
Yazbeck joined her on the complex, patter heavy “Money, Money” and the title song from Cabaret. Yazbeck charmed audiences with “Coffee in a Cardboard Cup” from 70, Girls, 70.
Chicago was revisited with four selections: “Hot Honey Rag,” the jazzy orchestral number that begs for Chita Rivera and Gwen Verdon, who masterfully executed Bob Fosse’s trademark choreography in the original production. “Roxie,” sung by Levy followed. Yazbeck closed the portion with “Razzle, Dazzle” and “All I Care About.” It was then announced that he would once again be joining the Broadway cast as Billy Flynn.
Act I ended with a rousing rendition of “Ring Them Bells,” another showstopper from Levy that was first performed by Minnelli in the television special, Liza With a Z in 1972.
Kiss of the Spider Woman earned Kander and Ebb seven Tony Awards for their 1993 hit and the Pops paid tribute to it, opening the second act with “Gimme Love.”
Although it wasn’t a critical success, Funny Lady (the film sequel to Funny Girl ) did yield an Academy Award-nominated song and Levy revived the Streisand classic, “How Lucky Can You Get.”
Yazbeck delivered one of the more poignant moments of the night as he sat on a stool, accompanied only on piano and sang a painfully beautiful version of “Sometimes A Day Goes By,” from Woman of the Year. Then the debonair triple threat shifted gears with the rousing “City Lights” from The Act.
Levy followed with “Colored Lights” from 1984’s The Rink. The show was one of Kander’s proudest musicals but failed to win the hearts of critics. Still, it included the lovely waltz, performed to absolute perfection by the night’s leading lady. Next came “Everybody’s Girl,” from Steel Pier.
The Pops reclaimed the spotlight with “Minstrel March” from The Scottsboro Boys.
Yazbeck channeled his inner diva for the following two numbers: “You, You, You”, a song that was originally written for Chita Rivera in 2015’s The Visit, followed by “And the World Goes ‘Round,” which Minnelli made famous in the film New York, New York.
Levy ended the night with a heartfelt rendition of “Maybe This Time,” from Cabaret. Thunderous applause ensued and an encore of “New York, New York” followed.
John Kander and Fred Ebb had their share of hits and flops throughout their decades-long partnership, but they remain two of the most dynamic writing teams in musical theater history. Kudos to Reineke and The New York Pops for showcasing their work and choosing two amazing talents to carry out this vision.
The NY Pops’ next concert will be You’ve Got a Friend: A Celebration of Singers and Songwriters on April 21 at Carnegie Hall.
Ryan Leeds is a freelance theater journalist who lives in Manhattan. He is the Chief Theater Critic for Manhattan Digest and a frequent contributor to Dramatics Magazine. Follow him on Twitter @Ry_Runner or on Facebook.