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Billy Porter: The Soul of Richard Rodgers

March 15th, 2017 Comments off

Billy Porter Soul of Richard Rodgers Album CoverTony and Grammy Award-Winner Billy Porter’s new studio album, Billy Porter Presents The Soul of Richard Rodgers, will be released April 14, 2017 and is now available for pre-order. The album, which features new, soulful takes on classic Richard Rodgers songs, includes solos and duets from the following artists (in addition to Porter himself): Tony and Grammy Award winners Cynthia Erivo (The Color Purple), Renée Elise Goldsberry (Hamilton) and Leslie Odom Jr. (Hamilton), Tony Award-winner Patina Miller (Pippin), Grammy Award winners Pentatonix and India.Arie, Tony Award nominees Brandon Victor Dixon (Shuffle Along), Joshua Henry (Violet), and Christopher Jackson (Hamilton), alongside YouTube sensation and Kinky Boots star Todrick Hall and multiple Grammy Award nominees Deborah Cox and Ledisi.

Billy Porter is a Tony and Grammy Award-winning singer, composer, actor, playwright and director from Pittsburgh, PA. As a recording artist, Porter’s solo albums include his first CD, Untitled, on A&M records, At the Corner of Broadway + Soul – LIVE on Sh-K-Boom Records, and Billy’s Back on Broadway, on Concord Records. He originated the role of ‘Lola’ in the Broadway hit Kinky Boots, which won him 2013 Tony, Grammy, Drama Desk and Outer Critics Circle Awards.

As a director, Porter’s credits include Topdog/Underdog and The Colored Museum (both for Huntington Theatre Company); Film/TV: “Law & Order: SVU,” “So You Think You Can Dance” (as a guest judge), “The Broken Hearts Club,” “Shake Rattle & Roll,” “The Big C,” The Humbling, starring Al Pacino, Baz Luhrmann’s The Get Down.

Porter’s concerts credits include opening act for Rosie O’Donnell and Aretha Franklin, Carnegie Hall, John McDaniel and the St. Louis Symphony Orchestra, as well as The Buffalo Philharmonic, Peter Nero and The Philly Pops, soloist for President Bill Clinton and various benefits throughout the United States.

The complete track listing for Billy Porter Presents The Soul of Richard Rodgers is as follows:

  1. Oh, What a Beautiful Morning (Pentatonix & Billy Porter)
  2. My Romance (Leslie Odom Jr.)
  3. If I Loved You (Renée Elise Goldsberry & Christopher Jackson)
  4. With a Song in My Heart (Brandon Victor Dixon & Joshua Henry)
  5. I Have Dreamed (Patina Miller)
  6. My Funny Valentine (Cynthia Erivo)
  7. I’m Gonna Wash That Man Right Outta My Hair (Todrick Hall & Billy Porter)
  8. This Nearly was Mine (Deborah Cox)
  9. Bewitched (Ledisi featuring Zaire Park)
  10. Carefully Taught (India.Arie & Billy Porter)
  11. Lady is a Tramp (Billy Porter featuring Zaire Park)
  12. Edelweiss (Billy Porter)

“I like to think of this as the Richard Rodgers version of the Hamilton Mixtapes,” Porter said.  “These are classic songs that everybody knows and loves, and I’m so excited for people to hear them in a brand new way.”

Billy Porter Presents The Soul of Richard Rodgers marks Porter’s fourth studio album, and his first as producer and content curator, with collaborators James Sampliner and Michael “Lofey” Sandlofer.

This month, Porter launches a national tour that kicks off in Bayside, NY on March 19. Full tour schedule below:

March 19 – Queensborough PAC – Bayside, NY
March 29 – Embassy Theater – Fort Wayne, Indiana
March 31 – Ocean Reef Cultural Center – Key Largo, FL
April 2 – Aventura Arts – Aventura, FL
April 3 & 4 – Crest Theater – Delray Beach, FL
April 6 – Nugent-Custer Performance Hall – Columbus, IN
April 7 & 8 – The Columbia Club – Indianapolis, IN
April 21 – Adelphi – Garden City, NY
April 22 – Kean University – Union, NJ
May 5 – Emelin Theater – Westchester, NY
May 14 – Venetian Room – San Francisco, CA
May 20 –Goodman Theatre Gala, Fairmont Hotel – Chicago, IL
June 17 – Playhouse Square Gala –Cleveland, Ohio
July 15 – Willow Valley Communities Cultural Center Theater – Lancaster, PA
August 14 – Bay Street Playhouse – Sag Harbor, NY
August 19 & 20 – Paramount Theater – Provincetown, MA

15 Minutes with Michael Cerveris

March 13th, 2017 Comments off

by Ryan Leeds

Michael Cerveris (Photo: Zack Smith via The Broadway Blog.)

Michael Cerveris (Photo: Zack Smith via The Broadway Blog.)

Michael Cerveris has sunk a ship (Titanic), shot a U.S. President (Assassins), slashed a few throats (Sweeney Todd), and committed suicide by throwing himself in front of a truck (Fun Home). It’s a dark resume, but one that has earned him four Tony nominations and two awards. Not that he’s counting. The mild-mannered Broadway star tends to shun the fanfare of ceremony, focusing more on the joy of stagecraft and performing with his band, Loose Cattle.

On Thursday night, his fellow folk/country music cronies will take to the stage at the Sheen Center, where audiences will be treated to selections from his albums, Dog Eared and Hinterland. He’ll also be playing tunes from his new album Piety.

On a recent rainy morning, the Chelsea resident grabbed coffee at the Grey Dog Cafe with The Broadway Blog to discuss his upcoming gig, his career, and why—with complete sincerity—he doesn’t consider himself “the best.”

The Broadway Blog: First and foremost, let’s clarify the pronunciation of your last name. 
Michael Cerveris: It’s “server-iss” (rhymes with hiss). I have close friends who mispronounce it and I have to say ‘You are my friend, but that’s not my name.’

BB: And you come from an artistic family?
MC: Yes. My brother is an actor, my sister was a ballet dancer and later a Broadway actor. My parents met at Juilliard. They tried to send us to good schools so that we’d have ended up in lucrative, stable careers but that just didn’t happen.

BB: How did Loose Cattle get started? 
MC: My girlfriend at the time, Kimberly Kay, and I were going through an argumentative phase in our relationship and decided to create something a little more productive. She loved to sing and I did, too. After years of being away from the South and then returning, I realized that my formative years were spent here (West Virginia). We decided to start a casual country band for fun, but it grew from there.

BB: How did the name originate? 
MC: I was singing backup for my friend, Laura Cantrell, at Hill Country Barbeque [in New York City.] There was a photo on the wall of a road sign in Texas warning people of “Loose Livestock.” I thought it would be a great name for a band, but I misremembered the sign as “Loose Cattle.”

BB: Your night at the Sheen Center will be billed as “Michael Cerveris and his Accomplices.” Who will be joining you? 
MC: Unfortunately, Kimberly won’t be able to make this show but I’ll have a string quartet, fiddle, and mandolin players. Joe McGinty will play piano and a few others.  It’s going to focus mostly on my Piety album, which has just been released. There will be 10 of us altogether.

BB: Which do you prefer: Performing in your band or on Broadway? They are vastly different. 
MC: They are totally different. I’m so grateful that I haven’t had to choose. To be able to have acting as a day job is pretty exciting, but my band is really a labor of love.

'Fun Home' (photo: Joan Marcus via The Broadway Blog.)

‘Fun Home’ (photo: Joan Marcus via The Broadway Blog.)

BB: You mentioned in a NY Times article that you “have ambivalence about awards in the arts, especially competitive awards.” Why is that?
MC: In general, I think I’ve struggled with competition. I used to run cross-country in junior high school in the hills of West Virginia. I would love the practice runs but as the week would progress towards the track meets, by Saturday morning I would be a ball of nerves. I think I that have color to my personality, which has aversion to ambition and competition.

In the arts, there is no way to objectively compare two performances and say that one is better than the other. The year that I won [the Tony Award for] Fun Home is a perfect example. The job description for my fellow four actors is completely different. There is no way I could have done what Tony Yazbeck, Robert Fairchild, or Brian D’Arcy James did. So to say that I was better makes no sense. I wish they would take away the “best” moniker. I love the celebration of the work, but the actual competition part drives me crazy.

BB: Who has influenced you in the Broadway realm and in the country/folk genre? 
MC: Seeing Len Cariou in the original Sweeney Todd is what made me think that I could do serious musical theater. I’ve always admired Ed Harris. In music, my tastes are pretty varied. John Prine, Dan Fogelberg’s early work, Cat Stevens, Harry Chapin, and Jim Croce were also influences. I’ve also had my indie-rock and punk rock phases.

Now, I’ve rediscovered a lot of country music like Hank Williams, Johnny Cash, and those singer-songwriters who could capture a scene or character in the most commonplace words that take on a poetic essence. There are some modern bands I really like such as Blackberry Smoke and Drive-By Truckers.

Michael Cerveris & His Accomplices
Sheen Center
18 Bleecker Street, NYC
March 16
7:30 p.m.

Ryan Leeds is a freelance theater journalist who lives in Manhattan. He is the Chief Theater Critic for Manhattan Digest and a frequent contributor to Dramatics Magazine. Follow him on Twitter @Ry_Runner or on Facebook.

 

 

Exclusive: ShowTickets.com Interview with Telly Leung

March 8th, 2017 Comments off
Telly Leung (Photo: Leon Le Photography via The Broadway Blog.)

Telly Leung (Photo: Leon Le Photography via The Broadway Blog.)

“There’s no people like show people!” (Or so sang Ethel Merman.) The Broadway Blog is thrilled to announce our partnership with ShowTickets.com, one of the best online resources for choosing, purchasing, and saving on the most popular shows nationwide. We’ve combined creative forces to bring you exclusive interviews with some of Broadway’s biggest stars.

Our first column features Telly Leung, currently starring in In Transit on Broadway. Telly shares with readers about Broadway’s first a cappella musical, his audition experience, backstage insights, and his favorite NYC hot spots.

For the full article click here.

Justin Guarini and Telly Leung in 'In Transit.' (Photo: Joan Marcus)

Justin Guarini and Telly Leung in ‘In Transit.’ (Photo: Joan Marcus)

15 Minutes with LaChanze

February 26th, 2017 Comments off
LaChanze (Dirty Sugar Photography via The Broadway Blog.)

LaChanze (Dirty Sugar Photography via The Broadway Blog.)

One of Broadway’s biggest voices will be rolling into the Highline Ballroom on Monday, February 27, but don’t expect show tunes. LaChanze will be celebrating the launch of her new EP, Feeling Good.

The inspiration came from a cabaret set that the Tony Award-winning actress (The Color Purple) has been performing, coupled with work on her memoir. Together, she felt there were stories to tell that would showcase the music with key moments of her life.

LaChanze (Dirty Sugar Photography via The Broadway Blog.)

LaChanze (Dirty Sugar Photography via The Broadway Blog.)

“All of the moments are very specific — from my childhood through adolescence, adulthood and midlife,” says the actress, who, after several ensemble roles on Broadway, captured the hearts of audiences and critics alike in Once on This Island. The show, directed by Tamara Tunie, also touches upon some of the challenges she’s faced and the people who were influential in getting her back into her life after a personal tragedy.

One of LaChanze favorite moments, which she describes as “pure joy,” is from a specific moment from her childhood, expressed through Dianne Reeves’ radiant song, “Nine.” The multi-talented artist also showcases her own songwriting skills with “You’re Free.”

LaChanze is thrilled to be back at the Hammerstein Ballroom, where she played a Valentine’s Day concert in 2009 and fell in love with the space. In the heart of Chelsea and tucked under the historic High Line elevated park, the venue’s size sits comfortable between a cabaret and concert venue.

“The stage size is huge and equipped with terrific lighting. I love the venue. It’s open, expansive and easily transformed,” says LaChanze of the artistic hub that has welcomed such artists as Stevie Wonder, Lady Gaga, Carlos Santana and more.

LaChanze’s impetus to produce the concert and tour the show later this year (visit www.mslachanze.com for future dates) is multi-faceted. Creatively, it is a celebration of her professional and personal life through song, but it is also an opportunity to stay engaged and relevant in a notoriously fickle industry.

LaChanze (Dirty Sugar Photography via The Broadway Blog.)

LaChanze (Dirty Sugar Photography via The Broadway Blog.)

“For women in general, and not just women of color, when you become a certain age opportunities narrow. We’re viewed differently than men,” observes LaChanze. “Men have full careers in film and television. Women are often relegated to specific roles — the mom or the girlfriend. This happens across the board and even more for African American women.”

“One of the reasons I’m doing this show is because I don’t want to sit around and wait for the phone to ring,” she continues. “And we’re not a monolith. It’s a wide net that’s cast for a few roles, so I’m telling my own story.” LaChanze brought on director Tamara Tunie

In spite of the challenges, LaChanze continues to be in demand and has been working in television, film and voiceover. Broadway audiences will have to wait until at least 2018 for her return to the Great White Way until her daughter graduates from high school before the seasoned actress is ready to commit again to eight shows a week.

But for now, we’re feeling good knowing that LaChanze

LaChanze – “Feeling Good”
Highline Ballroom
431 West 16th Street
February 27
Doors open at 6 p.m.
Showtime 8 p.m.

Matthew Wexler is The Broadway Blog’s editor. Follow him on social media at @roodeloo

 

Florence Henderson Tribute Scheduled for 2/21

February 17th, 2017 Comments off
Florence Henderson (Photo: Helga Esteb / Shutterstock, Inc.)

Florence Henderson (Photo: Helga Esteb / Shutterstock, Inc.)

Friends and family of Florence Henderson will come together on Tuesday, February 21, at 1:30 p.m. at the Music Box Theatre (239 West 45th Street) to celebrate the treasured star. Alan Cumming, Michael Feinstein, Judy Gold, Whoopi Goldberg, Isabel Leonard, Chita Rivera, James Snyder, Bruce Vilanch and Barry Williams will share their memories and talent to honor Florence. Presented by Rich Aronstein, Kayla Pressman and Glen Roven, this memorial event is open to the public on a first-come-first-serve basis with doors opening to the public at 1:20 p.m.

Florence Henderson was one of the most beloved American entertainers of the last six decades.  Florence arrived in New York at the age of 17 to attend the prestigious American Academy of Dramatic Arts. Within a year of attending the Academy, Broadway beckoned with roles in Oklahoma, Fanny, The Sound of Music, South Pacific, and The King and I, among others.

The emerging medium of television piqued her interest and Florence accepted the job as the “Today Show” Girl alongside pioneering broadcaster Dave Garroway. Florence was also a mainstay on live performance shows like “Ed Sullivan,” the “Bell Television Hour” and others. That was all a warm up for mega-popular “The Brady Bunch,” the television series that has remarkably not left the airwaves in syndication since it ceased production in 1974 after 117 episodes. It still airs in over 122 countries. Carol Brady became one of the most popular mothers in television history.

In the aftermath of “The Brady Bunch,” Florence Henderson continued to star in major theatrical productions, headline in Las Vegas and perform live at major venues around the country, including in her autobiographical one-woman show All the Lives of Me.

In 2011, Florence released her memoir Life Is Not a Stage: From Broadway Baby to Lovely Lady and Beyond (Center Street/Hachette Book Group). The autobiography spent time on the New York Times Bestsellers List. In 2003, she was awarded a star on the Hollywood Walk of Fame.  Florence’s enthusiasm, professionalism, commitment to quality and artistry has made her one of the most respected and endearing performers of our time.Florence is survived by her four children, five grandchildren, one brother and two sisters.

Andrew Lloyd Webber Celebrates 4 Shows on Broadway

February 10th, 2017 Comments off
The casts of Andrew Lloyd Webber's current shows on Broadway. (Photo: Nathan Johnson via The Broadway Blog.)

The casts of Andrew Lloyd Webber’s current shows on Broadway. (Photo: Nathan Johnson via The Broadway Blog.)

Moments before the curtain went up on the Broadway revival of Sunset Boulevard, starring Glenn Close, the stars of Andrew Lloyd Webber’s productions came together to celebrate the legendary composer’s historic achievement of having four musicals running simultaneously on Broadway with a commemorative photo.

Lloyd Webber posed backstage at Broadway’s Palace Theatre with cast members from Sunset Boulevard (Glenn Close, Michael Xavier, Siobhan Dillon, Fred Johanson), School of Rock – The Musical (Eric Petersen, Jersey Sullivan, Rachel Katzke), CATS (Jessica Hendy, Harris Milgrim, Tanner Ray Wilson), and The Phantom of the Opera (James Barbour, Kaley Ann Voorhees).

The Meeting* You Won’t Want to Miss: Justin Sayre

January 28th, 2017 Comments off

by Jon L. Jensen

Justin Sayre (Photo: Ricardo Nelson via The Broadway Blog.)

Justin Sayre (Photo: Ricardo Nelson via The Broadway Blog.)

Justin Sayre’s The Meeting* of the International Order of Sodomites convened again on January 22 at Joe’s Pub. The performance marked the beginning of the final season of Sayre’s hit comedy/variety show, at a time when performances like it could not feel more essential.

Sayre is big in every sense of the word. His bearish looks are matched by a giant wit and intelligence. While many gay performers and icons prize cattiness and cynicism, Sayre is big-hearted, warm and generous. He took the stage at Joe’s Pub two days after the inauguration and a day after the International Women’s March.

“We’re coming in hot,” said Sayre, adjusting his giant amethyst ring, attired in a flowing sweater ensemble, red-sequined pumps and a pink “pussy” cap.

His show featured tributes to two deceased gay icons, George Michael and Debbie Reynolds, but Sayre spent much of the evening processing contemporary events—especially the Women’s March.

Sayre called on the members of his “International Order of Sodomites” to be active participants in a resistance that reaches far beyond the concerns of the LGBTQIA community. Inspired by his participation in the Women’s March, Sayre argued that gays should unite with women, men, people of color and children against America’s new nationalist/isolationist leadership. “We have to come together because it’s too important,” he said.

The Meeting* paid tribute to George Michael who passed away on Christmas Day. Nadia Quinn, channeling a Christian camp counselor circa 1983, sang “Faith.” Julian Fleischer crooned “Kissing a Fool.” And Drew Brody called on the audience to sing back-up for “Father Figure.”

George Michael (Slavko Sereda : Shutterstock, Inc.)

George Michael (Slavko Sereda : Shutterstock, Inc.)

Of all the musical performances, none was as rousing (or envelope-pushing) as Bridget Barkan. The singer came out in an Obama mask and began an electric rendition of Michael’s “Freedom 90.” Soon she stripped of the blackface mask, to reveal a bad comb-over wig and began to sing the song as the new orange-faced POTUS. For the final verse, she stripped off her tuxedo and released her own long, auburn hair—her breasts taped with black gaffer’s tape, the word FREEDOM emblazoned across her chest.

Although the evening would have benefited from more music, Sayre remained the star of the show. He talked warmly of Debbie Reynolds, clued the audience in on this YouTube gem, and sang Reynolds’ “Tammy.”

One of the most poignant moments of the evening, however, came as he teared up recounting his interaction with a small child and her mother at the March. The moment epitomized what makes Sayre such a treasure. Here is a comedian who is not afraid of appearing earnest and vulnerable. According to him, children cannot tear their eyes off of him. “I don’t know if they’re drawn to me out of fascination,” he said, “or an intense fear that they might become me.”

The Gay Agenda - Album Cover (1)I cannot speak for the children, but I share in their fascination with Sayre. This reviewer ended up kicking myself that I showed up to the Meeting* seven years too late.

If you are like me, a little behind the times, do not miss your chance to catch The Meeting*’s final performances at Joe’s Pub. The final shows will tribute:

Michael Bennett (February 19)
The Velvet Underground (March 19)
Patti LuPone (April 23)

The final celebration will be held with two performances on Sunday, May 14 at 7 p.m. and 9:30 p.m. You can also download Sayre’s comedy album, The Gay Agenda, on iTunes here , or subscribe to his podcast “Sparkle & Circulate” here.

Jon L. Jensen is a poet and educator. His forthcoming novel-in-verse attempts to give his native Wyoming an epic makeover.

 

 

 

‘Sunday in the Park with George’ Announces Full Cast

January 24th, 2017 Comments off

sunday in the park with george

Ambassador Theatre Group (Mark Cornell, CEO; Adam Speers, Executive Producer) has announced the complete casting and creative team for the Broadway revival of New York City Center’s production of Stephen Sondheim and James Lapine’s Pulitzer Prize-winning Sunday in the Park with George.

Sondheim and Lapine’s masterpiece follows painter Georges Seurat (Jake Gyllenhaal) in the months leading up to the completion of his most famous painting, A Sunday Afternoon on the Island of La Grande Jatte. Consumed by his need to “finish the hat,” Seurat alienates the French bourgeoisie, spurns his fellow artists, and neglects his lover Dot (Annaleigh Ashford), not realizing that his actions will reverberate over the next 100 years.

Academy Award nominee Jake Gyllenhaal (in his Broadway musical debut) and Tony Award winner  Annaleigh Ashford will be joined by Tony Award nominee Brooks Ashmanskas, Jenni Barber,Tony Award nominee Phillip Boykin, Mattea Marie Conforti, Erin Davie, Claybourne Elder, Tony Award nominee Penny Fuller,Jordan Gelber, Tony Award winner Robert Sean Leonard, Liz McCartney, Tony Award winner Ruthie Ann Miles, Ashley Park, Jennifer Sanchez, David Turner, Max Chernin, MaryAnn Hu, Tony Award nominee Michael McElroy, Jaime Rosenstein, Julie Foldesi, and Andrew Kober.

Jake Gyllenhaal (Photo: Andrea Raffin / Shutterstock.com)

Jake Gyllenhaal (Photo: Andrea Raffin / Shutterstock.com)

As previously announced, Sunday in the Park with George will re-open the historic Hudson Theatre (139-141 West 44th Street) on Broadway this winter for a strictly limited 10-week engagement.  Directed by Sarna Lapine, performances are set to begin Saturday, February 11, 2017, with an opening scheduled for February 23 and performances through April 23.

The creative team for Sunday in the Park with George features set design by Tony Award winner Beowulf Boritt, projection design byTal Yarden, costume design by Tony Award winner Clint Ramos, lighting design by Tony Award winner Ken Billington, sound design by Tony Award nominee Kai Harada, co-projection design by Christopher Ash, hair and wig design by Cookie Jordan, make-up design by Joe Dulude II, music coordination by Tony Honor recipient Seymour Red Press, orchestrations by 2-time Tony Award winner Michael Starobin, production supervision by Tony honor recipient Peter Lawrence, casting by Carrie Gardner/Stephen Kopel, technical supervision by Hudson Theatrical Associates, general management by 101 Productions, Ltd., musical staging by Ann Yee, and music direction by Chris Fenwick.

Tickets are now on sale and can be purchased online at www.TheHudsonBroadway.com, by calling 855-801-5876, or in person at the Hudson Theatre Box Office.

 

Don’t Miss: ‘Falsettos’ Cast Album Release Event on 1/27

January 23rd, 2017 Comments off

falsettosGhostlight Records will celebrate the cast album of the critically acclaimed Broadway revival of William Finn and James Lapine’s Tony Award-winning musical Falsettos with a special in-store performance and CD signing at Barnes & Noble on Friday, January 27 at 7:00 p.m.

The date also marks the album’s worldwide digital release, with physical copies also available and two-disc set available online and in stores. Barnes & Noble will welcome cast members Stephanie J. Block, Anthony Rosenthal, Tracie Thoms, Brandon Uranowitz and Betsy Wolfe, in addition to the show’s composer/lyricist William Finn as special guest. The store is located at 150 East 86th Street, between Lexington and Third Avenues on the Upper East Side. Fans who purchase the CD at the store will be offered priority seating. Call (212) 369-2180 for details.

'Falsettos' (Photo: Joan Marcus via The Broadway Blog.)

‘Falsettos’ (Photo: Joan Marcus via The Broadway Blog.)

The first-ever full cast album of the musical includes a 60-page full-color booklet with complete lyrics, production photos, and an essay from Lincoln Center Theater’s Producing Artistic Director, André Bishop and Musical Theater Associate Producer Ira Weitzman. The cast album was produced by Kurt Deutsch with Lawrence Manchester serving as co-producer.

William Finn and James Lapine’s groundbreaking, Tony Award-winning musical Falsettos (Best Book of a Musical and Best Original Scorerecently returned to Broadway in an all-new production from Lincoln Center Theater. Lapine returned to direct an extraordinary cast featuring Stephanie J. Block (The Mystery of Edwin Drood, Tony nom.), Christian Borle (Something Rotten!, Tony Award), Andrew Rannells (The Book of Mormon, Tony nom.), Anthony Rosenthal, Tracie Thoms, Brandon Uranowitz(An American in Paris, Tony nom.) and Betsy Wolfe.

Christian Borle and Andrew Rannells in 'Falsettos.' (Photo: Joan Marcus via The Broadway Blog.)

Christian Borle and Andrew Rannells in ‘Falsettos.’ (Photo: Joan Marcus via The Broadway Blog.)

“Growing up with Falsettos was a game changer musical for me. With its gorgeous score and trailblazing takes on love, life and crisis, Falsettos is one of our great musicals and we’re honored to preserve the new Broadway cast album on Ghostlight Records,” says the label’s founder Kurt Deutsch. “Having released Finn’s wonderful 25th Annual Putnam County Spelling Bee, we’re thrilled to add this recording to our catalog, especially featuring such an unbelievable cast breathing such magnificent life into this ‘tight-knit family.’”

According to The New York Times, “There’s hardly a moment in the exhilarating, devastating revival of the musical Falsettos that doesn’t approach, or even achieve, perfection. It feels as fresh and startling as it did back in 1992.”

Time Out New York raved, “few musicals have the range, idiosyncrasy and emotional punch of this profoundly unconventional and personal work.” Newsday called the show “brave and hilarious, a charming and deeply moving treasure” and added “Finn matches his jaunty and vaudevillian, then haunting, music to enormously quotable, conversational lyrics that catch in the throat as often as they stick in the mind.”

The Chicago Tribune heralded the show as “a musical that throbs with passion and compassion, a masterwork.  It is a unequivocal pleasure to let Finn’s music and lyrics return to your consciousness.”

Falsettos was directed by James Lapine, with choreography by Spencer Liff, sets by David Rockwell, costumes by Jennifer Caprio, lighting by Jeff Croiter, sound by Dan Moses Schreier, and musical direction by Vadim Feichtner, conducting Michael Starobin’s original orchestrations.

 

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Don’t Miss: Justin Sayre’s Final Season of The Meeting* at Joe’s Pub

January 22nd, 2017 Comments off
Justin Sayre (Photo: Ricardo Nelson via The Broadway Blog.)

Justin Sayre (Photo: Ricardo Nelson via The Broadway Blog.)

The Meeting* hosted by Justin Sayre — the monthly gathering of the International Order of Sodomites, the centuries-old organization which sets the mythic Gay Agenda — has announced the themes of the Winter/Spring 2017 season.

Each month, the I.O.S gathers to honor an artist or a cultural work that is iconic to the gay community. Justin Sayre, the show’s creator, writer and host, serves as the Chairman of the Board of the International Order of Sodomites and brings his singular wit to essential business of the day through such regular features such as ”Letters to the Chairman” and “New Rulings from the Board.”

After seven years of audacious humor, trailblazing political discourse and button-pushing cultural exploration, the acclaimed comedy/variety show is being presented for the eighth and final season at Joe’s Pub at The Public Theater, which concludes its run in May 2017. The Winter/Spring 2017 shows are Sunday nights at 9:30 PM and will feature tributes to:

George Michael (January 22)
Michael Bennett (February 19)
The Velvet Underground (March 19)
Patti LuPone (April 23)

The final celebration will be held with two performances on Sunday, May 14 at 7:00 p.m. and 9:30 p.m. Tracy Stark serves as the season’s music director. Special guests will be announced for each show.

The Meeting* has been called “delicious and delightfully droll” by The New York Post and “hilarious and sardonic” by The Village Voice. After originally opening at the historic Duplex in the West Village, The Meeting* has also enjoyed successful runs at the Broadway nightclub 54 Below in New York, the Bootleg Theater in Los Angeles and  Oasis in San Francisco. Sparkle & Circulate with Justin Sayre, the official podcast of the International Order of Sodomites, was recently named among “10 Comedy Podcasts You Should Listen To” by Backstage.

Justin Sayre and The Meeting* – known for a signature blend of outrageous comedy, politics, culture and everything in between – were named among the Top nightclub shows of 2013 by Time Out New York, and received the 2012 Bistro Award for “Comedy Artistry” and a 2011 MAC Award nomination for Best Male Comedy Performance.