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Posts Tagged ‘Anything Goes’

“Golden Boy” Ticket Winner & Your Favorite Broadway Knockout

October 31st, 2012 Comments off

Ladies and Gentlemen, we have a winner! Daniel M. is going to see Lincoln Center’s new production of Golden Boy on us.

But today, everybody wins because readers submitted their favorite “knockout” Broadway performances as part of their entries. I’ve read them, removed the ones I absolutely disagree with on a fundamental aesthetic level (I’m kidding) and am now posting some of the best quotes.  So sit back and enjoy some of the best of Broadway, at least according to our fabulously tasteful readers…

Reba McEntire in "Annie Get Your Gun". Photo by Andrew Eccles.

  • Reba McEntire in Annie Get Your Gun was the most perfect pairing of role and performer I have ever experienced.  I saw the show 7 times with her and even paid for 5 of the times!!” David L.
  • “I remember seeing Gary Sinise on Broadway in The Grapes of Wrath. He was mesmerizing. Wish he would do more plays.” Linda Z.
  • The Scottsboro Boys.  I was completely entranced from beginning to end. So clever, new, brilliant performances. 90 minutes of beauty.” Betsy D.
  • “Knock out performance? Audra McDonald in…well, in just about anything she’s ever been in. But particularly, Carousel. What a revelation.” Adam M.
  • Sutton Foster in Anything Goes. A true triple threat.  AND she made it look effortless!!! She is the reigning “Broadway Heavyweight” in my book!” Jamey W.
  • “My parents took me to see A Chorus Line on Broadway when I was about 12. It was astonishing to me in so many ways, starting with the sheer talent and artistry that my young self had never encountered, and ending with the subject matter that struck me hard emotionally — a knockout.” Pam W.

And what of our winner’s entry? He certainly wins with this answer, too. Love me some Cherry Jones.

  • Cherry Jones knocked me out in A Moon For The Misbegotten back in 2000. Her combination of tenderness and toughness, her gutsy physicality and hardened humor — astonishing.” Daniel M.

“Harvey” Does Broadway, LuPone Does Time & More Theater News

June 15th, 2012 Comments off

Carol Kane & Jim Parsons in "Harvey". Photo by Joan Marcus.

Jonesing for more star power after getting a taste of glamour at the Tonys? Need a fame injection to get you through withdrawal? Well, this week’s theater news wrap-up is glittering with full-strength big names…

  • Emmy-winner Jim Parsons and the sublime Carol Kane are the first hit of the 2012-2013 season with the Roundabout revival of Harvey. Reviews are all over the place so it looks like we may have to check this one out ourselves to get the scoop.
  • Patti LuPone. Image via PlaybillVault.com.

    You want some staaaahhh quality, you can’t go wrong with the original Evita herself, Patti LuPone, back on Broadway and joined by acclaimed film actress (and Wonder Woman’s little sister) Debra Winger in Anarchist, a new two-hander by the legendary David Mamet. Set to open November 13, the play is set in a women’s prison — though don’t expect to see a ready for Cinemax shower fight with this pedigreed team.

  • Two stars not enough to satisfy your fix? The starry revival of The Best Man is dipping into the TV well to replace four departing cast members. Cybil Shepherd (Moonlighting), John Stamos (Uncle Jesse), Kristin Davis (Sex and the City) and Elizabeth Ashley (Evening Shade) will take over for Candice Bergen, Eric McCormack, Kerri Butler and Angela Lansbury.  If this show lasts and the turnover picks up, I can’t wait to see Charo as the President of the United States. No, really, I’d love that.
  • Remember when I said that Vasser in the summer was like the cool kids’ table in the high school cafeteria? Check out who they just announced for their Powerhouse Summer Theatre: Greg Kinnear (Oscar-nominated for As Good As It Gets), Maura Tierney (ER and wonderful last summer at Williamstown) & Jennifer Westfeldt (Friends with Kids and Jon Hamm’s significant other). Yep, stars just doing a little summer theater between big gigs.
  • Finally, get out your score card, we’ve got some post-Tony openings and closings to discuss. Godspell, Other Desert Cities, Venus in Fur will shutter in the next two weeks, a Sutton Foster-less Anything Goes sails away August 5; the musical Fela is making a short return engagement to Broadway July 9 – August 4, and the Tony-winning Best Play Clybourne Park is adding an extension to its full house through September 2.

 

 

SHOW FOLK: Howard McGillin on “Phantom” and those “Damn Yankees”

March 15th, 2012 Comments off

Yesterday, I said that Show Folk this month was “getting epic;” you thought it was just a lame Homer joke. Truth is, we’re doubling up on great interviews with another leading man of the stage pulling up a chair to our cyber table and joining us for a little conversation. As usual, I’ve edited the transcripts (removing the truly libelous parts) and posted the results. If yesterday was all about Gods, today we’re going straight to the devil…

Howard McGillin in "Damn Yankees". Photo by Ken Jaques.

Tony-nominated actor Howard McGillin has exchanged a mask for a set of horns…and we ain’t talking a brass band. Having famously played The Phantom of the Opera for more than 2500 record breaking performances, he’s descending to new devious depths (and crossing the river to Jersey) to take on the devilish Applegate in Paper Mill Playhouse’s new production of the classic musical comedy Damn YankeesBusy with last Sunday’s opening night, the dashing star still found the time to chat with us about some favorite co-stars, making up lyrics to “Music of the Night” and his run-in with a bionic wardrobe malfunction.

The devil comes in so many different guises; what inspired your take on Applegate in Damn Yankees?

Well, he’s the classic comic villain. He’s vain, revels in all the mischief he causes, and is ultimately brought down in a satisfying tumble of self-inflicted grandiosity. It’s delicious. Of course I remember Ray Walston’s performance, and my friend Victor Garber’s wonderful take on the guy. But I just try to find a way to make it mine, and I think the key is his ridiculous vanity. It makes it so much fun to see him fall.

You famously hold the record for playing the Phantom in The Phantom of the Opera  more times than anyone else. What are the benefits and challenges of doing a short run like the month of Damn Yankees at Paper Mill?

It’s a joy to tackle any part, no matter how long or short the run. Of course, when you sign on for something like Phantom you never imagine you could be doing it over 2500 times! It just happened that I loved performing it and the creative team seemed to like what I was doing and decided to keep me on. The process of performing a role remains the same. You always set foot on stage with the goal of making it a fresh performance. The only difference is that after many years of doing long runs in Broadway shows, four weeks seems unfairly short. I know I will miss doing this show. It’s just so much fun.

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