Lea DeLaria in "Out of Iceland". Photo by Richard Termine.

In a world of cookie cutter show biz types, Lea DeLaria is a true one-of-a-kind. From her boundary-busting stand-up to her Broadway barnstorming (and Drama Desk nominated) debut in On the Town, she has blazed a career that includes acting, writing and singing while remaining true to her  outspoken, “Bulldyke in a China Shop” attitude. And we wouldn’t want her any other way. [Which should be fair warning that the following interview includes more than just a little salty language; Victorian maidens beware.]

Now, she’s back on the New York stage in the romantic comedy Out of Iceland, as a mythical imp (don’t call it a “Troll”!) who adds a twist to the proceedings. Just before the show opened, she shared her thoughts on her swinging London life, her dream roles and the joy of kissing Brooke Shields.

You hear a character described as a “flamboyant Icelandic troll who crawled out of a television” and I’m not sure you think, “Lea DeLaria, of course!” Seriously, what was your response to hearing about this unusual role and what convinced you to play the part?

OK the “TROLL” thing is really starting to annoy me; I DO NOT PLAY A TROLL!!!! I play a ”HIDDEN PERSON”. Hidden People in Iceland are like Leprechauns in Ireland. Hidden People HATE trolls, we hate them. So to be clear that description is incorrect and both the author and I are losing our minds over it. Once I read the script I could see an unusual quality to this play. It is a romantic comedy with a twist and I play that twist. What’s not to like? The character I have created is a combination of Bugs Bunny, Beetlejuice and Grouch Marx…so, the comedy is broad and old school and I get to ad lib.

There’s a mystical, modern fairy tale quality to Out of Iceland. What were your favorite fairy tales as a kid?

My favorite fairy tale was The Bible.

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Every fourth Wednesday of the month, the “VIP Access” column will serve up advice on how to make your theater-going experiences cheaper, easier and more fulfilling with inside scoop from the experts. This month, we’re introducing you to the coolest new kid on the block…

54 Below Cabaret. Sketch by John Lee Beatty.

You know the scene. It’s a black and white film set in New York City. The impossibly urbane leading couple finds their way to the swankiest club in town for some delicious banter–all to the latest Broadway chanteuse singing from the stage. Heaven. Too bad a place like that doesn’t exist today, right?

Well, the glamor and pizzazz of a real Manhattan night club might be back–with a hip, young Broadway twist–at the June opening of 54 Below. Designed by Tony-winner John Lee Beatty and architect Richard Lewis, lit by Tony-winner Ken Billington, and with sound by Tony-nominee Peter Hylenski, the new lounge (tucked under the legendary Studio 54) promises to combine fine dining with a star-studded selection of performers.

54 Below Booths. Sketch by John Lee Beatty.

They’re kicking things off with the one and only Patti LuPone, and the rest of their current bookings are a who’s who of music theater and cabaret ranging from class acts like Liz Callawy, Jenifer Lewis and Rebecca Luker; to a sprinkling of Smash with Megan Hilty and Brian d’Arcy James; and on to artistically adventurous types the old fashioned supper clubs wouldn’t normally feature like songwriter Joe Iconis, downtown icon Mx Justin Bond and Lea DeLaria.

The Bottom Line: I know what you’re saying; cover charge and drink minimums make these places a money pit. I won’t lie, if you want to see Patti, you’re going to be paying upwards of $100 a person, however the cover/food charges for other artists come down significantly to a respectable special night out at $55 a seat for top-line entertainment. If you want to sample the atmosphere without breaking your budget, “The Green Room” offers after hours seating and live music with no cover or minimum.

Pick Hits: Glancing through the schedule, you can’t go wrong with almost any night you’re in town. But, if I had to create a package, I’d make a tour of next generation Broadway divas and catch:

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