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Sutton Foster Opens Feinstein’s at the Nikko

May 12th, 2013 Comments off

Our new West Coast correspondent, Heather Cassell, catches the premiere act at the new Feinstein’s at the Nikko.

Sutton Foster (photo: Laura Marie Duncan)

San Francisco doesn’t know anything about a woman’s desperate need for air conditioning in a sweltering New York summer, but Sutton Foster heats up the room causing a need for a burst of cool air at the new Feinstien’s at the Nikko Hotel in San Francisco.

Foster broke the proverbial bottle of champagne to a sold out crowd opening night on May 8 and you can still catch one final performance through May 12. If you miss her, she’s destined to return to the newly opened cabaret.

Belting out the busty overture to finding a man with an air conditioner to escape the sweltering heat, Foster leaves the room roaring in laughter as many of her songs this evening do. The two-time Tony-award winning Broadway star Foster treats us to beloved show tunes and tongue-in-cheek racy original ballads from her forthcoming album composed with musical collaborator Michael Rafter, who accompanies her on the piano this evening.

It’s an exemplary evening with Foster singing hit Broadway songs from Anything GoesLittle Women, Annie,  The Drowsy Chaperone, and Thoroughly Modern Millie to yesteryears hits, such as John Denver’s “Sunshine on My Shoulders” to name a few out of her 18-song performance. She delights us with her opening with a mash-up of her signature musical theater songs, displaying her impressive soprano voice that swiftly drops into an alto tone. It is clear that she enjoys not only playing with her voice, but also with songs about single women — alternating between broadsy female anthems to soft and tender love songs.

Away from the lights of Broadway and Hollywood, she’s left the humidity of New York after 15 years for the dry desert heat of Los Angeles for her new show, ”Bunheads”, which airs June 11. In a performance was intimate, personal and humble, she gushed that she didn’t miss New York as she feared she would, but instead she loves L.A. At one point during the show she brought the man in her life, her dog Linus, up on to the stage. He sat in her lap as she sang one of her favorite new songs on her forthcoming album a medley of “It Only Takes a Moment” and “Time After Time” they end the performance with a double hi-five.

Dressed in a simple blue dress with beige heals and her wavy brown locks easily tumbling down her back, it is almost as if she returned to being the 17-year-old girl who first performed in the first national tour of  The Will Rogers Follies at the Golden Gate Theater in San Francisco. That was many years ago and many performances later, including a brief cabaret in San Francisco a few years ago, as she’s now clearly an accomplished artist that we will hopefully see more of in the near future.

Foster attracts star power from Broadway and the small screen, my girlfriend and I spotted Florence Henderson, from the 1970’s “Brady Bunch” fame, but who is an accomplished singer in her own right, to many music and theater admirers to the cabaret that once was the home of the now closed Live at the Rrazz Room.

A popular cabaret for the past 14 years in New York, Feinstein’s at Loews Regency, closed at the beginning of this year at the same time as Feinstein’s at the Nikko emerged. Feinstein’s in New York and San Francisco is lead by the venerable Michael Feinstein, a renowned singer, pianist, and bearer of the Great American Songbook.

Foster is the perfect opener to satiate the void left by the closing of the beloved musical outlet, the Rrazz Room. If the forthcoming performers to grace Feinstein’s stage in the coming month – Mitzi Gaynor (May 15 – 18), Spencer Day (May 23 – 25), Ann Hampton Callaway and Liz Callaway (May 29 – June 2), Andrea Marcovicci (June 7 and 8), Clint Holmes (June 12 – 16), Barbara Cook (June 19 – 23) and Steve Tyrell (June 25 – 29) – are any indication of the high quality talent that will come to the Nikko Hotel, we will be mostly satisfied.

The only question is: Will Feinstein’s also showcase Broadway stars along with many of the same LGBT performers that made the Rrazz Room beloved by San Franciscans and unique in the cabaret world? The answer remains to be seen.

Sutton Foster’s final performance is Sunday, May 12, 7 p.m.at Feinstein’s at the Nikko Hotel, 222 Mason St., San Francisco. Tickets $75 – $95.

Can’t catch Foster’s final show tonight? Here’s one of our favorite clips:

Heather Cassell is a freelance journalist and travel writer with more than 20 years experience covering LGBT and women’s issues. When Heather isn’t wandering off learning and writing about women’s and LGBT issues, she covers business, health and other news for a number of publications as well as the syndicated “Out in the World” international LGBT news column.

Feinstein’s at the Nikko Opens, Featuring Tony Winner Sutton Foster

May 3rd, 2013 Comments off
Michael Feinstein (photo: Karl Simone)

I’ve had a crush on Michael Feinstein for 25 years. While most guys my age were listening to Sonic Youth and R.E.M. (it was the 80s after all), I was sequestered in my room — obsessing over his rendition of “I Won’t Send Roses/Time Heals Everything.”

Perhaps I was an odd teenager, but since the release of his first album, Live at the Algonquin, Feinstein has been wowing listeners with his tributes to the American songbook. He has breathed new life into the works of George and Ira Gershwin, Burton Lane, Jule Styne, Jerry Herman and countless others. Feinstein has also performed live around the world, including such prestigious venues as Carnegie Hall, Sydney Opera House and the Hollywood Bowl as well as the White House and Buckingham Palace.

On a more intimate scale, Feinstein’s at Loews Regency served as home to some of the world best vocalists for more than 14 years until the property temporarily closed for a major renovation. Fear not, lovers of velvety vocals and cabaret climaxes. Hotel Nikko in San Francisco is opening a new venue called Feinstein’s at the Nikko to continue this great tradition.

“It’s exciting beyond words to be bringing Feinstein’s to the Hotel Nikko in San Francisco,” says Feinstein. “My career as an entertainer began in San Francisco, and it presents special and profound meaning to be a part of such an amazing and special city. I look forward to giving back to the community by presenting world-class entertainment in a glamorous setting. I can’t wait!”

Sutton Foster (photo: Laura Marie Duncan)

Feinstein’s at the Nikko will present a wide range of local, regional and national entertainers in an intimate 140-seat cabaret setting. Two-time Tony Award winner Sutton Foster (Thoroughly Modern Millie, Anything Goes, The Drowsy Chaperone) will take the stage May 8 – 12, 2013 for the inaugural performances.

Tickets range in price from
$60-100 and are available now by calling
866.663.1063 or visiting www.ticketweb.com

Future performers of note include*:

Spencer Day (photo: Reisig Taylor)

Spencer Day – May 23-25
Day has been a perennial favorite in the San Francisco Bay Area since exploding on to the music scene as a performer at the 2007 San Francisco Jazz Festival. Since then, he has performed at some of the nation’s most prominent venues, including Joe’s Pub and Town Hall in New York City and Yoshi’s and the Great American Musical Hall in the San Francisco Bay Area.

Ann Hampton Callaway and Liz Callaway –May 29 – June 2

Barbara Cook – Wednesday, June 19-23

*Additional performers will be announced at a later date.

Tony! Tony! Watch Nominations Live…

April 29th, 2013 Comments off

2012 Tony Award-winners James Corden, Audra McDonald, Nina Arianda, and Steve Kazee. (photo: Anita and Steve Shevett/Shevett Studios)

I’m having a flashback.
It’s my high school senior play (The Wizard of Oz… of course) and we all scramble out of homeroom to see the cast list. I was a shoe-in for the Scarecrow, or so I thought. We trampled each other toward the cast list that was posted during morning announcements. The anticipation… did I get it? Uh, no.

While I may have been relegated to a monkey (and not even a flying one at that), Broadway’s brightest talent had a bit more luck this season, and tomorrow morning – with the help of Jesse Tyler Ferguson and Sutton Foster, The American Theatre Wing announces this year’s nominations for the coveted Tony Award.

You can catch all the action, live! Click the link below and relive all of those memories in a live stream and be the first to know who has been nominated. Help us predict this year’s winners by posting your comments on our Facebook page or our Twitter account, @thebroadwayblog.
And remember… everybody’s a winner. Not really.

Tune in Tuesday, May 1, 8:15 a.m. by clicking link below:

Launch the 2013 Tony Awards Live
Video Console!

We Love You Broadway, Part I

February 10th, 2013 Comments off

"Mama Mia!" (Photo: Joan Marcus)

The Broadway Blog asked some of our favorite theatre folks to tell us about their favorite Broadway love songs. Ah, love. While my high school cohorts were smoking weed on the football field and doing it in the back of a 1986 Chevette (yes, I’m dating myself,) I was swooning over Patti LuPone’s bullhorn vocals in the revival cast recording of “Anything Goes.”

Broadway was my lover before I knew how or whom I could love. While I experienced a bit of bullying and subsequently lashed out at a few kids myself during those years, nothing seemed to matter when I popped in the double length cassette of “Les Misérables” and dreamt of Marius and Cosette (actually Marius and Enjolras.)

Leading up to Valentine’s Day, the Broadway Blog will be showcasing some favorite romantic moments from the Great White Way. Have some of your own? Share them with us on Facebook.

Click through for our first two picks…

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“Golden Boy” Ticket Winner & Your Favorite Broadway Knockout

October 31st, 2012 Comments off

Ladies and Gentlemen, we have a winner! Daniel M. is going to see Lincoln Center’s new production of Golden Boy on us.

But today, everybody wins because readers submitted their favorite “knockout” Broadway performances as part of their entries. I’ve read them, removed the ones I absolutely disagree with on a fundamental aesthetic level (I’m kidding) and am now posting some of the best quotes.  So sit back and enjoy some of the best of Broadway, at least according to our fabulously tasteful readers…

Reba McEntire in "Annie Get Your Gun". Photo by Andrew Eccles.

  • Reba McEntire in Annie Get Your Gun was the most perfect pairing of role and performer I have ever experienced.  I saw the show 7 times with her and even paid for 5 of the times!!” David L.
  • “I remember seeing Gary Sinise on Broadway in The Grapes of Wrath. He was mesmerizing. Wish he would do more plays.” Linda Z.
  • The Scottsboro Boys.  I was completely entranced from beginning to end. So clever, new, brilliant performances. 90 minutes of beauty.” Betsy D.
  • “Knock out performance? Audra McDonald in…well, in just about anything she’s ever been in. But particularly, Carousel. What a revelation.” Adam M.
  • Sutton Foster in Anything Goes. A true triple threat.  AND she made it look effortless!!! She is the reigning “Broadway Heavyweight” in my book!” Jamey W.
  • “My parents took me to see A Chorus Line on Broadway when I was about 12. It was astonishing to me in so many ways, starting with the sheer talent and artistry that my young self had never encountered, and ending with the subject matter that struck me hard emotionally — a knockout.” Pam W.

And what of our winner’s entry? He certainly wins with this answer, too. Love me some Cherry Jones.

  • Cherry Jones knocked me out in A Moon For The Misbegotten back in 2000. Her combination of tenderness and toughness, her gutsy physicality and hardened humor — astonishing.” Daniel M.

Broadway Belters Hit Your B Spot

July 23rd, 2012 Comments off

Sutton Foster in "Anything Goes". Photo by Joan Marcus.

“Belting (or vocal belting) is a specific technique of singing by which a singer produces a loud sound in the upper middle of the pitch range.” Wikipedia

Sure, that’s the technical definition. But theater types know belting as that spine tingling, vocal chord busting, earsplitting, sometimes heartbreaking sound that makes grown men weep and every little girl wish she were Annie. Love it or hate it, belting is the sound of modern Broadway and the holy miracle that creates diva worshippers as devoted as any Delphic priestess. (Personally, I’m a mix man but that’s for another day…)

Need a little belt booster shot? Watch this hysterical/awe-inspiring video compilation of some of the best belters ever, followed by some choice quotes from the diva’s themselves about their voices…

Read more…

Tony Award Time Machine: 2002

June 4th, 2012 Comments off

"Thoroughly Modern Millie". Image via Google.

Buckle up, gang, the years are flying by again as we hit the gas on our time machine. With 1972, 1982 and 1992 in our rear view mirror, 2002 is rising before us in all its palindromic glory.

And what does Tony-night look like to us time travelers as we step into the celebrity-packed theater? Sutton Foster is beaming; future Smash cast mates Christian Borle and Brian d’Arcy James are a seat away from each other; Bernadette Peters bubbles and coos. In fact, it’s all eerily similar to where we live today except for the nagging feeling that everything and everyone looks a bit fresher and less lived-in — like we all went to sleep in New York and woke up in Toronto.

Edward Albee’s The Goat or Who is Sylvia? takes the top prize for plays while Thoroughly Modern Millie bests Urinetown in the Best Musical category, though that feisty little show grabs a number of other statuettes. As for the performances, the less said about the awkward “tell the whole story in 3-minutes” mega-mix strategy employed by Mamma Mia and the Into the Woods revival the better. (How often are those two shows ever in the same sentence?) Seriously, a note to today’s producers planning their Tony performances — do one whole number! Musicals don’t cut into nice neat little movie trailers. Songs are meant to be experienced as a build to climax.

So where shall we start watching? How about at the very beginning? It’s a very good place to start, I hear…

Read more…

“Anything Goes” Album Arrives and More Broadway Music

August 23rd, 2011 Comments off

Photo by Joan Marcus.

Fire up those speakers, grab a microphone/hairbrush, and warn the neighbors—it’s cast album day at the Broadway Blog!

The inimitable Sutton Foster and her shipmates from the Tony Award-winning revival of Anything Goes make digital waves today as the official cast album is made available for download. For those who still associate the term “jewel case” with music and not a glittering collection of diamond tiaras, the Ghostlight Records release will also be available in “physical” copies as of September 23. Either way, you can’t go wrong with this rousing collection of Cole Porter gems.

Not to be outdone, PS Classics announced they will be heading into the studio to capture the new Broadway revival of Follies for a showtune-loving, history-correcting, two-disc set (the original Broadway cast album was notoriously cut down to a single disc). Bernadette Peters, Jan Maxwell, and the rest of the company (not to be confused with the cast of Company) will record the album October 3 & 4, in time for a late November and holiday gift-giving release. If you think you might be on Santa’s naughty list, pre-order your own copy here.

With all this talk of cast albums (never “Soundtrack,” Philistine), everybody hop into the comments and tell me which Broadway recordings you listen to the most. To get the ball rolling, my top three songs (via an embarrassing and shockingly Sondheim-free look at my iTunes “most-played” list) are…

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Awards Season Heats Up

May 17th, 2011 Comments off

Photo: Alistair Muir
  • If I were a betting man (and I am if you get me near a church-picnic bingo table), I’d say the Outer Critics Circle just laid out a rock solid slate to mark off on your Tony pool ballot. Announced yesterday, the organization’s awards in major categories went to War Horse (Best Play),  The Book of Mormon (Best Musical), Mark Rylance (Best Actor in a Play), Josh Gad (Best Actor in a Musical) and Sutton Foster (Best Actress in a Musical). The only wrinkle for us prediction junkies was their choice for Best Actress in a Play: a tie between Nina Arianda and Frances McDormand. It’s hard to guess which number will be called when you’ve got two great draws in the irresistible “star is born” newcomer and the beloved Hollywood star-power vet.  My favorite win, though, was Laura Benanti’s well-deserved trophy for Best Featured Actress in a Musical for the much-maligned Women on the Verge of a Nervouse Breakdown; just thinking back to her hysterical turn makes me want to climb up on my folding chair and shout, “Bingo!”

Continue reading after the jump for the Obie Award winners and video of a surprise Broadway wedding proposal…

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TO SEE OR NOT TO SEE: The Normal Heart, War Horse and Anything Goes

May 6th, 2011 Comments off

The May reviewapalooza continues today with a look at three shows that are pulling out the big guns and taking Broadway by storm.

Photo by Joan Marcus.

THE NORMAL HEART

Larry Kramer’s flame-throwing, autobiographical play about the early days of the AIDS crisis in New York City gets a starry revival directed by Joel Grey and George C. Wolfe.

“More than a quarter of a century after it first scorched New York, “The Normal Heart” is breathing fire again.” New York Times

“It’s a snapshot of a city and era that feel long gone, and this production, co-directed by Joel Grey and George C. Wolfe, gives it a worthy frame.” New York Post

“…this is a spectacularly well-cast production in which every role has found its ideal interpreter.” Hollywood Reporter

“How does it hold up? Better than I expected, but not as well as I’d hoped.” Wall Street Journal

Mizer’s Two Cents: This is passionate, essential theater brought to life by top-tier actors working as a perfect ensemble. Larry Kramer can be a real pill and Joe Mantello’s central performance as Kramer’s stand-in Ned Weeks doesn’t shy away from the loud and off-putting aspects of the character, but he also manages to let us see the insecure, romantic beneath. John Benjamin Hickey is the key, allowing us to fall in love with Larry through his smart, unsentimental eyes. Yes, the play is political, lopsided and “sad;” but it is also timely, scathingly funny and stuffed with spoken arias that ring show-stopping applause from the audience. Plus, you walk out of the theater feeling like you want to kick some butt. It is unmissable for all serious, adult theatergoers.

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