Buzz
‘Emojiland’ Brings Characters to Life When Words Don’t Cut It
Stumbling, Bumbling and Fumbling with Beth Leavel
Musical Theater Songwriting Challenge Seeks Submissions
Three to See: January
‘Trevor: The Musical’ Announces Off-Broadway Run
Reviews
‘It’s Not for Sissies, This New World’: Isaac Mizrahi at Café Carlyle
Married to the Mob: ‘Romeo and Bernadette’
In ‘Sheepdog,’ Police Violience, Race and Class Collide
‘Stop Kiss’ Still Resonates More Than 20 Years After its Premiere
Review: Laura Linney in ‘My Name is Lucy Barton’
Show Folk
Don’t Miss: Isaac Mizrahi’s Return to Café Carlyle
Up Close and Personal with Ryan J. Haddad
Who’s the Man in the Mirror? ‘MJ’ Musical Cast Announced
10 Favorite Theater Interviews of 2019
The Best of Times: Remembering Jerry Herman
Hot Ticket
Stumbling, Bumbling and Fumbling with Beth Leavel
Don’t Miss: Isaac Mizrahi’s Return to Café Carlyle
Three to See: January
Meat at the Opera? ‘Das Barbecü’ Returns to NYC
Don’t Miss: NY Pops Tribute to Rodgers and Hammerstein
Theater Buff
Theater Buff: Drew Redington From ‘The Prom’
Theater Buff: Leroy Church, Broadway’s ‘King Kong’
Theater Buff: Ricardo A. Zayas from ‘Head Over Heels’
Theater Buff: Conor Ryan of ‘Desperate Measures’
Theater Buff: Justin Keyes of ‘Jerry Springer – The Opera’
Beyond Broadway
‘It’s Not for Sissies, This New World’: Isaac Mizrahi at Café Carlyle
Married to the Mob: ‘Romeo and Bernadette’
In ‘Sheepdog,’ Police Violience, Race and Class Collide
‘Stop Kiss’ Still Resonates More Than 20 Years After its Premiere
‘The Gulf’ – An Intimate Story of Two Rural Lesbians
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Top Posts
‘It’s Not for Sissies, This New World’: Isaac...
Married to the Mob: ‘Romeo and Bernadette’
In ‘Sheepdog,’ Police Violience, Race and Class Collide
‘Stop Kiss’ Still Resonates More Than 20 Years...
Review: Laura Linney in ‘My Name is Lucy...
‘Emojiland’ Brings Characters to Life When Words Don’t...
‘The Gulf’ – An Intimate Story of Two...
Stumbling, Bumbling and Fumbling with Beth Leavel
In ‘Falling For Make Believe,’ Ryan J. Haddad...
Don’t Miss: Isaac Mizrahi’s Return to Café Carlyle
Buzz
‘Emojiland’ Brings Characters to Life When Words Don’t Cut It
Stumbling, Bumbling and Fumbling with Beth Leavel
Musical Theater Songwriting Challenge Seeks Submissions
Three to See: January
‘Trevor: The Musical’ Announces Off-Broadway Run
Reviews
‘It’s Not for Sissies, This New World’: Isaac Mizrahi at Café Carlyle
Married to the Mob: ‘Romeo and Bernadette’
In ‘Sheepdog,’ Police Violience, Race and Class Collide
‘Stop Kiss’ Still Resonates More Than 20 Years After its Premiere
Review: Laura Linney in ‘My Name is Lucy Barton’
Show Folk
Don’t Miss: Isaac Mizrahi’s Return to Café Carlyle
Up Close and Personal with Ryan J. Haddad
Who’s the Man in the Mirror? ‘MJ’ Musical Cast Announced
10 Favorite Theater Interviews of 2019
The Best of Times: Remembering Jerry Herman
Hot Ticket
Stumbling, Bumbling and Fumbling with Beth Leavel
Don’t Miss: Isaac Mizrahi’s Return to Café Carlyle
Three to See: January
Meat at the Opera? ‘Das Barbecü’ Returns to NYC
Don’t Miss: NY Pops Tribute to Rodgers and Hammerstein
Theater Buff
Theater Buff: Drew Redington From ‘The Prom’
Theater Buff: Leroy Church, Broadway’s ‘King Kong’
Theater Buff: Ricardo A. Zayas from ‘Head Over Heels’
Theater Buff: Conor Ryan of ‘Desperate Measures’
Theater Buff: Justin Keyes of ‘Jerry Springer – The Opera’
Beyond Broadway
‘It’s Not for Sissies, This New World’: Isaac Mizrahi at Café Carlyle
Married to the Mob: ‘Romeo and Bernadette’
In ‘Sheepdog,’ Police Violience, Race and Class Collide
‘Stop Kiss’ Still Resonates More Than 20 Years After its Premiere
‘The Gulf’ – An Intimate Story of Two Rural Lesbians
About Us
About
Contact Us
PassportMagazine
GlobalCocktails
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Beyond Broadway
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Make ’em Laugh. . . and Cry: ‘Neal Brennan 3 Mics’
